My work explores a multitude of day-to-day human experiences through an abstract language of color and mark making. Beginning with color, found intuitively, I embark upon a dialog with the painted surface through a vocabulary of mark making - pushing and pulling the surface, painting out, painting in, until that surface is able to "speak" for itself.  Harmonizing the color in its own right, lifting and dropping tones until the point at which the painting just "clicks" into place.  For me, the act of naming the painting is as important as the act of making.  Once complete, each painting suggests its subject to me - a stream of traffic, a field of end of season flowers - whatever it is, the painting knows who it is.